参考答案和解析
In marketing, a corporate identity is the "persona" of a corporation which is designed to accord with and facilitate the attainment of business objectives. It is usually visibly manifested by way of branding and the use of trademarks.Corporate identity comes into being when there is a common ownership of an organisational philosophy that is manifest in a distinct corporate culture — the corporate personality. At its most profound, the public feel that they have ownership of the philosophy. (Balmer, 1995).In general, this amounts to a corporate title, logo (logotype and/or logogram), and supporting devices commonly assembled within a set of guidelines. These guidelines govern how the identity is applied and confirm approved colour palettes, typefaces, page layouts and other such methods of maintaining visual continuity and brand recognition across all physical manifestations of the brand.Many companies, such as McDonald's and Electronic Arts, have their own identity that runs through all of their products and merchandise. The trademark "M" logo and the yellow and red appears consistently throughout the McDonald's packaging and advertisements. Many companies pay large amounts of money for an identity that is extremely distinguishable, so it can appeal more to its targeted audience.Corporate identity is often viewed as being composed of three parts:Corporate design (logos, uniforms, etc.) Corporate communication (commercials, public relations, information, etc.) Corporate behavior. (internal values, norms, etc.) Corporate identity has become a universal technique for promoting companies and improving corporate culture. Most notably is the company PAOS, founded by Motoo Nakanishi in Tokyo, Japan in 1968. Nakanishi fused design, management consulting and corporate culture to revolutionize corporate identity in Japan.Contents [hide]1 Sociological sense 2 Organizational point of view 3 Corporate visual identity 4 See also 5 References 6 External links Sociological senseCorporate identity can also have a sociological sense. In any large society members of a minority tend to develop a "corporate identity" where they feel a special bond to any other member of that minority even if they have never met the person before. This bond develops because they generally have similar experiences, face similar discrimination, have similar cultural values, economic limitations, etc.In the United States, for instance, persons of Arab or Jewish ancestry, blacks, Hispanics, lesbians and gay men, and persons who follow non-Christian religions, among many other minorities, each have a sense of corporate identity. Within a particular group there are feelings of "we have to watch out for each other" and "I have an obligation not just to succeed, but to help others of my group."A common corollary to this sense of corporate identity is a concern about assimilating into the majority culture to the extent where the minority group ceases to exist for all practical purposes. Corporate identity is promoted, strengthened and encouraged by activities such as teaching the ancestral language, practice of rituals and social customs, observance of holidays, etc., from the minority culture and discouraging marriage outside the particular group or moving to a geographic area where the minority group does not have a significant presence.Organizational point of viewIn a recent monograph on Chinese corporate identity (Routledge, 2006), Peter Peverelli, proposes a new definition of corporate identity, based on the general organization theory proposed in his earlier work, in particular Peverelli (2000). This definition regards identity as a result of social interaction:Corporate identity is the way corporate actors (actors who perceive themselves as acting on behalf of the company) make sense of their company in ongoing social interaction with other actors in a specific context. It includes shared perceptions of reality, ways-to-do-things, etc., and interlocked behaviour. In this process the corporate actors are of equal importance as those others; corporate identity pertains to the company (the group of corporate actors) as well as to the relevant others; Corporate actors construct different identities in different contexts. Corporate visual identityCorporate visual identity plays a significant role in the way an organization presents itself to both internal and external stakeholders. In general terms, a corporate visual identity expresses the values and ambitions of an organization, its business, and its characteristics. Four functions of corporate visual identity can be distinguished. Three of these are aimed at external stakeholders.First, a corporate visual identity provides an organisation with visibility and ‘recognizability’ (Balmer and Gray, 2000; Dowling, 1993; Du Gay, 2000). For virtually all profit and non-profit organisations it is of vital importance that people know that the organization exists and remember its name and core business at the right time. Second, a corporate visual identity symbolizes an organization for external stakeholders, and, hence, contributes to its image and reputation (Schultz, Hatch and Larsen, 2000). Van den Bosch, De Jong and Elving (2005) explored possible relationships between corporate visual identity and reputation, and concluded that corporate visual identity plays a supportive role in corporate reputations. Third, a corporate visual identity expresses the structure of an organization to its external stakeholders, visualising its coherence as well as the relationships between divisions or units. Olins (1989) is well-known for his ‘corporate identity structure’, which consists of three concepts: monolithic brands for companies which have a single brand, a branded identity in which different brands are developed for parts of the organization or for different product lines, and an endorsed identity with different brands which are (visually) connected to each other. Although these concepts introduced by Olins are often presented as the corporate identity structure, they merely provide an indication of the visual presentation of (parts of) the organization. It is therefore better to describe it as a ‘corporate visual identity structure’. A fourth, internal function of corporate visual identity relates to employees’ identification with the organization as a whole and/or the specific departments they work for (depending on the corporate visual strategy in this respect). Identification appears to be crucial for employees (Bromley, 2001; Dutton, Dukerich and Harquail, 1994; Kiriakidou and Millward, 2000), and corporate visual identity probably plays a symbolic role in creating such identification. The definition of the corporate visual identity management (Van den Bosch, 2005) is:Corporate visual identity management involves the planned maintenance, assessment and development of a corporate visual identity as well as associated tools and support, anticipating developments both inside and outside the organization, and engaging employees in applying it, with the objective of contributing to employees’ identification with and appreciation of the organization as well as recognition and appreciation among external stakeholders. Special attention is paid to corporate identity in times of organizational change. Once a new corporate identity is implemented, attention to corporate identity related issues generally tends to decrease. However, corporate identity needs to be managed on a structural basis, to be internalized by the employees and to harmonize with future organizational developments.Efforts to manage the corporate visual identity will result in more consistency and the corporate visual identity management mix should include structural, cultural and strategic aspects (Van den Bosch, 2005). Guidelines, procedures and tools can be summarized as the structural aspects of managing the corporate visual identity.However, as important as the structural aspects may be, they must be complemented by two other types of aspects. Among the cultural aspects of corporate visual identity management, socialization – i.e., formal and informal learning processes – turned out to influence the consistency of a corporate visual identity. Managers are important as a role model and they can clearly set an example. This implies that they need to be aware of the impact of their behavior, which has an effect on how employees behave. If managers pay attention to the way they convey the identity of their organization, including the use of a corporate visual identity, this will have a positive effect on the attention employees give to the corporate visual identity.Further, it seems to be important that the organization communicates the strategic aspects of the corporate visual identity. Employees need to have knowledge of the corporate visual identity of their organization – not only the general reasons for using the corporate visual identity, such as its role in enhancing the visibility and recognizability of the organization, but also aspects of the story behind the corporate visual identity. The story should explain why the design fits the organization and what the design – in all of its elements – is intended to express.
In marketing, a corporate identity is the "persona" of a corporation which is designed to accord with and facilitate the attainment of business objectives. It is usually visibly manifested by way of branding and the use of trademarks.Corporate identity comes into being when there is a common ownership of an organisational philosophy that is manifest in a distinct corporate culture — the corporate personality. At its most profound, the public feel that they have ownership of the philosophy. (Balmer, 1995).In general, this amounts to a corporate title, logo (logotype and/or logogram), and supporting devices commonly assembled within a set of guidelines. These guidelines govern how the identity is applied and confirm approved colour palettes, typefaces, page layouts and other such methods of maintaining visual continuity and brand recognition across all physical manifestations of the brand.Many companies, such as McDonald's and Electronic Arts, have their own identity that runs through all of their products and merchandise. The trademark "M" logo and the yellow and red appears consistently throughout the McDonald's packaging and advertisements. Many companies pay large amounts of money for an identity that is extremely distinguishable, so it can appeal more to its targeted audience.Corporate identity is often viewed as being composed of three parts:Corporate design (logos, uniforms, etc.) Corporate communication (commercials, public relations, information, etc.) Corporate behavior. (internal values, norms, etc.) Corporate identity has become a universal technique for promoting companies and improving corporate culture. Most notably is the company PAOS, founded by Motoo Nakanishi in Tokyo, Japan in 1968. Nakanishi fused design, management consulting and corporate culture to revolutionize corporate identity in Japan.Contents [hide]1 Sociological sense 2 Organizational point of view 3 Corporate visual identity 4 See also 5 References 6 External links Sociological senseCorporate identity can also have a sociological sense. In any large society members of a minority tend to develop a "corporate identity" where they feel a special bond to any other member of that minority even if they have never met the person before. This bond develops because they generally have similar experiences, face similar discrimination, have similar cultural values, economic limitations, etc.In the United States, for instance, persons of Arab or Jewish ancestry, blacks, Hispanics, lesbians and gay men, and persons who follow non-Christian religions, among many other minorities, each have a sense of corporate identity. Within a particular group there are feelings of "we have to watch out for each other" and "I have an obligation not just to succeed, but to help others of my group."A common corollary to this sense of corporate identity is a concern about assimilating into the majority culture to the extent where the minority group ceases to exist for all practical purposes. Corporate identity is promoted, strengthened and encouraged by activities such as teaching the ancestral language, practice of rituals and social customs, observance of holidays, etc., from the minority culture and discouraging marriage outside the particular group or moving to a geographic area where the minority group does not have a significant presence.Organizational point of viewIn a recent monograph on Chinese corporate identity (Routledge, 2006), Peter Peverelli, proposes a new definition of corporate identity, based on the general organization theory proposed in his earlier work, in particular Peverelli (2000). This definition regards identity as a result of social interaction:Corporate identity is the way corporate actors (actors who perceive themselves as acting on behalf of the company) make sense of their company in ongoing social interaction with other actors in a specific context. It includes shared perceptions of reality, ways-to-do-things, etc., and interlocked behaviour. In this process the corporate actors are of equal importance as those others; corporate identity pertains to the company (the group of corporate actors) as well as to the relevant others; Corporate actors construct different identities in different contexts. Corporate visual identityCorporate visual identity plays a significant role in the way an organization presents itself to both internal and external stakeholders. In general terms, a corporate visual identity expresses the values and ambitions of an organization, its business, and its characteristics. Four functions of corporate visual identity can be distinguished. Three of these are aimed at external stakeholders.First, a corporate visual identity provides an organisation with visibility and ‘recognizability’ (Balmer and Gray, 2000; Dowling, 1993; Du Gay, 2000). For virtually all profit and non-profit organisations it is of vital importance that people know that the organization exists and remember its name and core business at the right time. Second, a corporate visual identity symbolizes an organization for external stakeholders, and, hence, contributes to its image and reputation (Schultz, Hatch and Larsen, 2000). Van den Bosch, De Jong and Elving (2005) explored possible relationships between corporate visual identity and reputation, and concluded that corporate visual identity plays a supportive role in corporate reputations. Third, a corporate visual identity expresses the structure of an organization to its external stakeholders, visualising its coherence as well as the relationships between divisions or units. Olins (1989) is well-known for his ‘corporate identity structure’, which consists of three concepts: monolithic brands for companies which have a single brand, a branded identity in which different brands are developed for parts of the organization or for different product lines, and an endorsed identity with different brands which are (visually) connected to each other. Although these concepts introduced by Olins are often presented as the corporate identity structure, they merely provide an indication of the visual presentation of (parts of) the organization. It is therefore better to describe it as a ‘corporate visual identity structure’. A fourth, internal function of corporate visual identity relates to employees’ identification with the organization as a whole and/or the specific departments they work for (depending on the corporate visual strategy in this respect). Identification appears to be crucial for employees (Bromley, 2001; Dutton, Dukerich and Harquail, 1994; Kiriakidou and Millward, 2000), and corporate visual identity probably plays a symbolic role in creating such identification. The definition of the corporate visual identity management (Van den Bosch, 2005) is:Corporate visual identity management involves the planned maintenance, assessment and development of a corporate visual identity as well as associated tools and support, anticipating developments both inside and outside the organization, and engaging employees in applying it, with the objective of contributing to employees’ identification with and appreciation of the organization as well as recognition and appreciation among external stakeholders. Special attention is paid to corporate identity in times of organizational change. Once a new corporate identity is implemented, attention to corporate identity related issues generally tends to decrease. However, corporate identity needs to be managed on a structural basis, to be internalized by the employees and to harmonize with future organizational developments.Efforts to manage the corporate visual identity will result in more consistency and the corporate visual identity management mix should include structural, cultural and strategic aspects (Van den Bosch, 2005). Guidelines, procedures and tools can be summarized as the structural aspects of managing the corporate visual identity.However, as important as the structural aspects may be, they must be complemented by two other types of aspects. Among the cultural aspects of corporate visual identity management, socialization – i.e., formal and informal learning processes – turned out to influence the consistency of a corporate visual identity. Managers are important as a role model and they can clearly set an example. This implies that they need to be aware of the impact of their behavior, which has an effect on how employees behave. If managers pay attention to the way they convey the identity of their organization, including the use of a corporate visual identity, this will have a positive effect on the attention employees give to the corporate visual identity.Further, it seems to be important that the organization communicates the strategic aspects of the corporate visual identity. Employees need to have knowledge of the corporate visual identity of their organization – not only the general reasons for using the corporate visual identity, such as its role in enhancing the visibility and recognizability of the organization, but also aspects of the story behind the corporate visual identity. The story should explain why the design fits the organization and what the design – in all of its elements – is intended to express.
In marketing, a corporate identity is the "persona" of a corporation which is designed to accord with and facilitate the attainment of business objectives. It is usually visibly manifested by way of branding and the use of trademarks.Corporate identity comes into being when there is a common ownership of an organisational philosophy that is manifest in a distinct corporate culture — the corporate personality. At its most profound, the public feel that they have ownership of the philosophy. (Balmer, 1995).In general, this amounts to a corporate title, logo (logotype and/or logogram), and supporting devices commonly assembled within a set of guidelines. These guidelines govern how the identity is applied and confirm approved colour palettes, typefaces, page layouts and other such methods of maintaining visual continuity and brand recognition across all physical manifestations of the brand.Many companies, such as McDonald's and Electronic Arts, have their own identity that runs through all of their products and merchandise. The trademark "M" logo and the yellow and red appears consistently throughout the McDonald's packaging and advertisements. Many companies pay large amounts of money for an identity that is extremely distinguishable, so it can appeal more to its targeted audience.Corporate identity is often viewed as being composed of three parts:Corporate design (logos, uniforms, etc.) Corporate communication (commercials, public relations, information, etc.) Corporate behavior. (internal values, norms, etc.) Corporate identity has become a universal technique for promoting companies and improving corporate culture. Most notably is the company PAOS, founded by Motoo Nakanishi in Tokyo, Japan in 1968. Nakanishi fused design, management consulting and corporate culture to revolutionize corporate identity in Japan.Contents [hide]1 Sociological sense 2 Organizational point of view 3 Corporate visual identity 4 See also 5 References 6 External links Sociological senseCorporate identity can also have a sociological sense. In any large society members of a minority tend to develop a "corporate identity" where they feel a special bond to any other member of that minority even if they have never met the person before. This bond develops because they generally have similar experiences, face similar discrimination, have similar cultural values, economic limitations, etc.In the United States, for instance, persons of Arab or Jewish ancestry, blacks, Hispanics, lesbians and gay men, and persons who follow non-Christian religions, among many other minorities, each have a sense of corporate identity. Within a particular group there are feelings of "we have to watch out for each other" and "I have an obligation not just to succeed, but to help others of my group."A common corollary to this sense of corporate identity is a concern about assimilating into the majority culture to the extent where the minority group ceases to exist for all practical purposes. Corporate identity is promoted, strengthened and encouraged by activities such as teaching the ancestral language, practice of rituals and social customs, observance of holidays, etc., from the minority culture and discouraging marriage outside the particular group or moving to a geographic area where the minority group does not have a significant presence.Organizational point of viewIn a recent monograph on Chinese corporate identity (Routledge, 2006), Peter Peverelli, proposes a new definition of corporate identity, based on the general organization theory proposed in his earlier work, in particular Peverelli (2000). This definition regards identity as a result of social interaction:Corporate identity is the way corporate actors (actors who perceive themselves as acting on behalf of the company) make sense of their company in ongoing social interaction with other actors in a specific context. It includes shared perceptions of reality, ways-to-do-things, etc., and interlocked behaviour. In this process the corporate actors are of equal importance as those others; corporate identity pertains to the company (the group of corporate actors) as well as to the relevant others; Corporate actors construct different identities in different contexts. Corporate visual identityCorporate visual identity plays a significant role in the way an organization presents itself to both internal and external stakeholders. In general terms, a corporate visual identity expresses the values and ambitions of an organization, its business, and its characteristics. Four functions of corporate visual identity can be distinguished. Three of these are aimed at external stakeholders.First, a corporate visual identity provides an organisation with visibility and ‘recognizability’ (Balmer and Gray, 2000; Dowling, 1993; Du Gay, 2000). For virtually all profit and non-profit organisations it is of vital importance that people know that the organization exists and remember its name and core business at the right time. Second, a corporate visual identity symbolizes an organization for external stakeholders, and, hence, contributes to its image and reputation (Schultz, Hatch and Larsen, 2000). Van den Bosch, De Jong and Elving (2005) explored possible relationships between corporate visual identity and reputation, and concluded that corporate visual identity plays a supportive role in corporate reputations. Third, a corporate visual identity expresses the structure of an organization to its external stakeholders, visualising its coherence as well as the relationships between divisions or units. Olins (1989) is well-known for his ‘corporate identity structure’, which consists of three concepts: monolithic brands for companies which have a single brand, a branded identity in which different brands are developed for parts of the organization or for different product lines, and an endorsed identity with different brands which are (visually) connected to each other. Although these concepts introduced by Olins are often presented as the corporate identity structure, they merely provide an indication of the visual presentation of (parts of) the organization. It is therefore better to describe it as a ‘corporate visual identity structure’. A fourth, internal function of corporate visual identity relates to employees’ identification with the organization as a whole and/or the specific departments they work for (depending on the corporate visual strategy in this respect). Identification appears to be crucial for employees (Bromley, 2001; Dutton, Dukerich and Harquail, 1994; Kiriakidou and Millward, 2000), and corporate visual identity probably plays a symbolic role in creating such identification. The definition of the corporate visual identity management (Van den Bosch, 2005) is:Corporate visual identity management involves the planned maintenance, assessment and development of a corporate visual identity as well as associated tools and support, anticipating developments both inside and outside the organization, and engaging employees in applying it, with the objective of contributing to employees’ identification with and appreciation of the organization as well as recognition and appreciation among external stakeholders. Special attention is paid to corporate identity in times of organizational change. Once a new corporate identity is implemented, attention to corporate identity related issues generally tends to decrease. However, corporate identity needs to be managed on a structural basis, to be internalized by the employees and to harmonize with future organizational developments.Efforts to manage the corporate visual identity will result in more consistency and the corporate visual identity management mix should include structural, cultural and strategic aspects (Van den Bosch, 2005). Guidelines, procedures and tools can be summarized as the structural aspects of managing the corporate visual identity.However, as important as the structural aspects may be, they must be complemented by two other types of aspects. Among the cultural aspects of corporate visual identity management, socialization – i.e., formal and informal learning processes – turned out to influence the consistency of a corporate visual identity. Managers are important as a role model and they can clearly set an example. This implies that they need to be aware of the impact of their behavior, which has an effect on how employees behave. If managers pay attention to the way they convey the identity of their organization, including the use of a corporate visual identity, this will have a positive effect on the attention employees give to the corporate visual identity.Further, it seems to be important that the organization communicates the strategic aspects of the corporate visual identity. Employees need to have knowledge of the corporate visual identity of their organization – not only the general reasons for using the corporate visual identity, such as its role in enhancing the visibility and recognizability of the organization, but also aspects of the story behind the corporate visual identity. The story should explain why the design fits the organization and what the design – in all of its elements – is intended to express.
In marketing, a corporate identity is the "persona" of a corporation which is designed to accord with and facilitate the attainment of business objectives. It is usually visibly manifested by way of branding and the use of trademarks.Corporate identity comes into being when there is a common ownership of an organisational philosophy that is manifest in a distinct corporate culture — the corporate personality. At its most profound, the public feel that they have ownership of the philosophy. (Balmer, 1995).In general, this amounts to a corporate title, logo (logotype and/or logogram), and supporting devices commonly assembled within a set of guidelines. These guidelines govern how the identity is applied and confirm approved colour palettes, typefaces, page layouts and other such methods of maintaining visual continuity and brand recognition across all physical manifestations of the brand.Many companies, such as McDonald's and Electronic Arts, have their own identity that runs through all of their products and merchandise. The trademark "M" logo and the yellow and red appears consistently throughout the McDonald's packaging and advertisements. Many companies pay large amounts of money for an identity that is extremely distinguishable, so it can appeal more to its targeted audience.Corporate identity is often viewed as being composed of three parts:Corporate design (logos, uniforms, etc.) Corporate communication (commercials, public relations, information, etc.) Corporate behavior. (internal values, norms, etc.) Corporate identity has become a universal technique for promoting companies and improving corporate culture. Most notably is the company PAOS, founded by Motoo Nakanishi in Tokyo, Japan in 1968. Nakanishi fused design, management consulting and corporate culture to revolutionize corporate identity in Japan.Contents [hide]1 Sociological sense 2 Organizational point of view 3 Corporate visual identity 4 See also 5 References 6 External links Sociological senseCorporate identity can also have a sociological sense. In any large society members of a minority tend to develop a "corporate identity" where they feel a special bond to any other member of that minority even if they have never met the person before. This bond develops because they generally have similar experiences, face similar discrimination, have similar cultural values, economic limitations, etc.In the United States, for instance, persons of Arab or Jewish ancestry, blacks, Hispanics, lesbians and gay men, and persons who follow non-Christian religions, among many other minorities, each have a sense of corporate identity. Within a particular group there are feelings of "we have to watch out for each other" and "I have an obligation not just to succeed, but to help others of my group."A common corollary to this sense of corporate identity is a concern about assimilating into the majority culture to the extent where the minority group ceases to exist for all practical purposes. Corporate identity is promoted, strengthened and encouraged by activities such as teaching the ancestral language, practice of rituals and social customs, observance of holidays, etc., from the minority culture and discouraging marriage outside the particular group or moving to a geographic area where the minority group does not have a significant presence.Organizational point of viewIn a recent monograph on Chinese corporate identity (Routledge, 2006), Peter Peverelli, proposes a new definition of corporate identity, based on the general organization theory proposed in his earlier work, in particular Peverelli (2000). This definition regards identity as a result of social interaction:Corporate identity is the way corporate actors (actors who perceive themselves as acting on behalf of the company) make sense of their company in ongoing social interaction with other actors in a specific context. It includes shared perceptions of reality, ways-to-do-things, etc., and interlocked behaviour. In this process the corporate actors are of equal importance as those others; corporate identity pertains to the company (the group of corporate actors) as well as to the relevant others; Corporate actors construct different identities in different contexts. Corporate visual identityCorporate visual identity plays a significant role in the way an organization presents itself to both internal and external stakeholders. In general terms, a corporate visual identity expresses the values and ambitions of an organization, its business, and its characteristics. Four functions of corporate visual identity can be distinguished. Three of these are aimed at external stakeholders.First, a corporate visual identity provides an organisation with visibility and ‘recognizability’ (Balmer and Gray, 2000; Dowling, 1993; Du Gay, 2000). For virtually all profit and non-profit organisations it is of vital importance that people know that the organization exists and remember its name and core business at the right time. Second, a corporate visual identity symbolizes an organization for external stakeholders, and, hence, contributes to its image and reputation (Schultz, Hatch and Larsen, 2000). Van den Bosch, De Jong and Elving (2005) explored possible relationships between corporate visual identity and reputation, and concluded that corporate visual identity plays a supportive role in corporate reputations. Third, a corporate visual identity expresses the structure of an organization to its external stakeholders, visualising its coherence as well as the relationships between divisions or units. Olins (1989) is well-known for his ‘corporate identity structure’, which consists of three concepts: monolithic brands for companies which have a single brand, a branded identity in which different brands are developed for parts of the organization or for different product lines, and an endorsed identity with different brands which are (visually) connected to each other. Although these concepts introduced by Olins are often presented as the corporate identity structure, they merely provide an indication of the visual presentation of (parts of) the organization. It is therefore better to describe it as a ‘corporate visual identity structure’. A fourth, internal function of corporate visual identity relates to employees’ identification with the organization as a whole and/or the specific departments they work for (depending on the corporate visual strategy in this respect). Identification appears to be crucial for employees (Bromley, 2001; Dutton, Dukerich and Harquail, 1994; Kiriakidou and Millward, 2000), and corporate visual identity probably plays a symbolic role in creating such identification. The definition of the corporate visual identity management (Van den Bosch, 2005) is:Corporate visual identity management involves the planned maintenance, assessment and development of a corporate visual identity as well as associated tools and support, anticipating developments both inside and outside the organization, and engaging employees in applying it, with the objective of contributing to employees’ identification with and appreciation of the organization as well as recognition and appreciation among external stakeholders. Special attention is paid to corporate identity in times of organizational change. Once a new corporate identity is implemented, attention to corporate identity related issues generally tends to decrease. However, corporate identity needs to be managed on a structural basis, to be internalized by the employees and to harmonize with future organizational developments.Efforts to manage the corporate visual identity will result in more consistency and the corporate visual identity management mix should include structural, cultural and strategic aspects (Van den Bosch, 2005). Guidelines, procedures and tools can be summarized as the structural aspects of managing the corporate visual identity.However, as important as the structural aspects may be, they must be complemented by two other types of aspects. Among the cultural aspects of corporate visual identity management, socialization – i.e., formal and informal learning processes – turned out to influence the consistency of a corporate visual identity. Managers are important as a role model and they can clearly set an example. This implies that they need to be aware of the impact of their behavior, which has an effect on how employees behave. If managers pay attention to the way they convey the identity of their organization, including the use of a corporate visual identity, this will have a positive effect on the attention employees give to the corporate visual identity.Further, it seems to be important that the organization communicates the strategic aspects of the corporate visual identity. Employees need to have knowledge of the corporate visual identity of their organization – not only the general reasons for using the corporate visual identity, such as its role in enhancing the visibility and recognizability of the organization, but also aspects of the story behind the corporate visual identity. The story should explain why the design fits the organization and what the design – in all of its elements – is intended to express.
In marketing, a corporate identity is the "persona" of a corporation which is designed to accord with and facilitate the attainment of business objectives. It is usually visibly manifested by way of branding and the use of trademarks.

Corporate identity comes into being when there is a common ownership of an organisational philosophy that is manifest in a distinct corporate culture — the corporate personality. At its most profound, the public feel that they have ownership of the philosophy. (Balmer, 1995).

In general, this amounts to a corporate title, logo (logotype and/or logogram), and supporting devices commonly assembled within a set of guidelines. These guidelines govern how the identity is applied and confirm approved colour palettes, typefaces, page layouts and other such methods of maintaining visual continuity and brand recognition across all physical manifestations of the brand.

Many companies, such as McDonald's and Electronic Arts, have their own identity that runs through all of their products and merchandise. The trademark "M" logo and the yellow and red appears consistently throughout the McDonald's packaging and advertisements. Many companies pay large amounts of money for an identity that is extremely distinguishable, so it can appeal more to its targeted audience.

Corporate identity is often viewed as being composed of three parts:

Corporate design (logos, uniforms, etc.)
Corporate communication (commercials, public relations, information, etc.)
Corporate behavior. (internal values, norms, etc.)
Corporate identity has become a universal technique for promoting companies and improving corporate culture. Most notably is the company PAOS, founded by Motoo Nakanishi in Tokyo, Japan in 1968. Nakanishi fused design, management consulting and corporate culture to revolutionize corporate identity in Japan.

Contents [hide]
1 Sociological sense
2 Organizational point of view
3 Corporate visual identity
4 See also
5 References
6 External links

Sociological sense
Corporate identity can also have a sociological sense. In any large society members of a minority tend to develop a "corporate identity" where they feel a special bond to any other member of that minority even if they have never met the person before. This bond develops because they generally have similar experiences, face similar discrimination, have similar cultural values, economic limitations, etc.

In the United States, for instance, persons of Arab or Jewish ancestry, blacks, Hispanics, lesbians and gay men, and persons who follow non-Christian religions, among many other minorities, each have a sense of corporate identity. Within a particular group there are feelings of "we have to watch out for each other" and "I have an obligation not just to succeed, but to help others of my group."

A common corollary to this sense of corporate identity is a concern about assimilating into the majority culture to the extent where the minority group ceases to exist for all practical purposes. Corporate identity is promoted, strengthened and encouraged by activities such as teaching the ancestral language, practice of rituals and social customs, observance of holidays, etc., from the minority culture and discouraging marriage outside the particular group or moving to a geographic area where the minority group does not have a significant presence.

Organizational point of view
In a recent monograph on Chinese corporate identity (Routledge, 2006), Peter Peverelli, proposes a new definition of corporate identity, based on the general organization theory proposed in his earlier work, in particular Peverelli (2000). This definition regards identity as a result of social interaction:

Corporate identity is the way corporate actors (actors who perceive themselves as acting on behalf of the company) make sense of their company in ongoing social interaction with other actors in a specific context. It includes shared perceptions of reality, ways-to-do-things, etc., and interlocked behaviour.
In this process the corporate actors are of equal importance as those others; corporate identity pertains to the company (the group of corporate actors) as well as to the relevant others;
Corporate actors construct different identities in different contexts.

Corporate visual identity
Corporate visual identity plays a significant role in the way an organization presents itself to both internal and external stakeholders. In general terms, a corporate visual identity expresses the values and ambitions of an organization, its business, and its characteristics. Four functions of corporate visual identity can be distinguished. Three of these are aimed at external stakeholders.

First, a corporate visual identity provides an organisation with visibility and ‘recognizability’ (Balmer and Gray, 2000; Dowling, 1993; Du Gay, 2000). For virtually all profit and non-profit organisations it is of vital importance that people know that the organization exists and remember its name and core business at the right time.
Second, a corporate visual identity symbolizes an organization for external stakeholders, and, hence, contributes to its image and reputation (Schultz, Hatch and Larsen, 2000). Van den Bosch, De Jong and Elving (2005) explored possible relationships between corporate visual identity and reputation, and concluded that corporate visual identity plays a supportive role in corporate reputations.
Third, a corporate visual identity expresses the structure of an organization to its external stakeholders, visualising its coherence as well as the relationships between divisions or units. Olins (1989) is well-known for his ‘corporate identity structure’, which consists of three concepts: monolithic brands for companies which have a single brand, a branded identity in which different brands are developed for parts of the organization or for different product lines, and an endorsed identity with different brands which are (visually) connected to each other. Although these concepts introduced by Olins are often presented as the corporate identity structure, they merely provide an indication of the visual presentation of (parts of) the organization. It is therefore better to describe it as a ‘corporate visual identity structure’.
A fourth, internal function of corporate visual identity relates to employees’ identification with the organization as a whole and/or the specific departments they work for (depending on the corporate visual strategy in this respect). Identification appears to be crucial for employees (Bromley, 2001; Dutton, Dukerich and Harquail, 1994; Kiriakidou and Millward, 2000), and corporate visual identity probably plays a symbolic role in creating such identification.
The definition of the corporate visual identity management (Van den Bosch, 2005) is:

Corporate visual identity management involves the planned maintenance, assessment and development of a corporate visual identity as well as associated tools and support, anticipating developments both inside and outside the organization, and engaging employees in applying it, with the objective of contributing to employees’ identification with and appreciation of the organization as well as recognition and appreciation among external stakeholders.
Special attention is paid to corporate identity in times of organizational change. Once a new corporate identity is implemented, attention to corporate identity related issues generally tends to decrease. However, corporate identity needs to be managed on a structural basis, to be internalized by the employees and to harmonize with future organizational developments.

Efforts to manage the corporate visual identity will result in more consistency and the corporate visual identity management mix should include structural, cultural and strategic aspects (Van den Bosch, 2005). Guidelines, procedures and tools can be summarized as the structural aspects of managing the corporate visual identity.

However, as important as the structural aspects may be, they must be complemented by two other types of aspects. Among the cultural aspects of corporate visual identity management, socialization – i.e., formal and informal learning processes – turned out to influence the consistency of a corporate visual identity. Managers are important as a role model and they can clearly set an example. This implies that they need to be aware of the impact of their behavior, which has an effect on how employees behave. If managers pay attention to the way they convey the identity of their organization, including the use of a corporate visual identity, this will have a positive effect on the attention employees give to the corporate visual identity.

Further, it seems to be important that the organization communicates the strategic aspects of the corporate visual identity. Employees need to have knowledge of the corporate visual identity of their organization – not only the general reasons for using the corporate visual identity, such as its role in enhancing the visibility and recognizability of the organization, but also aspects of the story behind the corporate visual identity. The story should explain why the design fits the organization and what the design – in all of its elements – is intended to express
更多“关于CI或VI的英文文章和翻译需要详细资料!”相关问题
  • 第1题:

    企业vi,ci的区别在哪里?


    什么是vi了解这个必须先明白什么是ci什么是ci呢 cis的具体组成 mi理念识别 bi行为识别 vi视觉识别 什么是cis cis是corporate identity system的缩写意思是企业形象识别系统cis的主要含义是将企业文化与经营理念统一设计利用整体表达体系(尤其是视觉表达系统)传达给企业内部与公众使其对企业产生一致的认同以形成良好的企业印象最终促进企业产品和服务的销售 cis的意义 对内企业可通过ci设计对其办公系统、生产系统、管理系统以及营销、包装、广告等宣传形象形成规范设计和统一管理由此调动企业每个职员的积极性和归属感、认同感,使各职能部门能各行其职、有效合作 对外通过一体化的符号形式来形成企业的独特形象便于公众辨别、认同企业形象促进企业产品以及服务的推广 cis的具体组成部分 日本著名ci专家山田英理认为ci包含下面两个方面的概念 第一ci是一种被明确地认知企业理念与企业文化的活动 第二ci是以标志和标准字作为沟通企业理念与企业文化的工具 换而言之ci系统是由mi(理念识别mind identity)bi(行为识别behavior. identity)vi(视觉识别visual identity)三方面组成在cis的三大构成中其核心是mi它是整个cis的最高决策层给整个系统奠定了理论基础和行为准则并通过bi与vi表达出来所有的行为活动与视觉设计都是围绕着mi这个中心展开的成功的bi与vi就是将企业的独特精神准确表达出来 mi理念识别 企业理念对内影响企业的决策、活动、制度、管理等等对外影响企业的公众形象、广告宣传等 所谓mi是指确立企业自己的经营理念企业对目前和将来一定时期的经营目标、经营思想、经营方式和营销状态进行总体规划和界定 mi的主要内容包括 企业精神 企业价值观 企业文化 企业信条 经营理念 经营方针 市场定位 产业构成 组织体制 管理原则 社会责任和发展规划等 bi行为识别 置于中间层位的bi则直接反映企业理念的个性和特殊性是企业实践经营理念与创造企业文化的准则对企业运作方式所作的统一规划而形成的动态识别系统包括对内的组织管理和教育对外的公共关系 促销活动 资助社会性的文化活动等通过一系列的实践活动将企业理念的精神实质推展到企业内部的每一个角落汇集起员工的巨大精神力量 bi包括以下内容 对内组织制度 管理规范 行为规范 干部教育 职工教育 工作环境 生产设备 福利制度等等 对外市场调查 公共关系 营销活动 流通对策 产品研发 公益性 文化性活动等等 vi视觉识别 vi以标志 标准字 标准色为核心展开的完整的 系统的视觉表达体系将上述的企业理念 企业文化 服务内容 企业规范等抽象概念转换为具体符号塑造出独特的企业形象在ci设计中视觉识别设计最具传播力和感染力最容易被公众接受具有重要意义 vi系统a.基本要素系统如企业名称 企业标志 企业造型 标准字 标准色 象征图案 宣传口号等 b.应用系统 产品造型 办公用品 企业环境 交通工具 服装服饰 广告媒体 招牌 包装系统 公务礼品 陈列展示以及印刷宣传册等 一套vi设计的主要内容: i.基本要素系统 a.标志 b.标准字 c.标准色 d.标志和标准字的组合 ii.应用系统 a.办公用品 如信封 信纸 便笺 名片 徽章 工作证 请柬 文件夹 介绍信 帐票 备忘录 资料袋 公文表格等 b.企业外部建筑环境 如建筑造型 公司旗帜 企业门面 企业招牌 公共标识牌 路标指示牌 广告塔 霓虹灯广告 庭院美化等 c.企业内部建筑环境 如企业内部各部门标识牌 常用标识牌 楼层标识牌 企业形象牌 旗帜 广告牌 pop广告 货架标牌等 d.交通工具 如轿车 面包车 大巴士 货车 工具车 油罐车 轮船 飞机等e.服装服饰 如经理制服 管理人员制服 员工制服 礼仪制服 文化衫 领带 工作帽 钮扣 肩章 胸卡等 f.广告媒体 如电视广告、杂志广告、报纸广告、网络广告、路牌广告、招贴广告等。 g.产品包装 如纸盒包装 纸袋包装 木箱包装 玻璃容器包装 塑料袋包装 金属包装 陶瓷包装 包装纸 h.公务礼品 如T恤衫 领带 领带夹 打火机 钥匙牌 雨伞 纪念章 礼品袋等 i.陈列展 如橱窗展示 展览展示 货架商品展示 陈列商品展示等 j.印刷品 如企业简介 商品说明书 产品简介 年历等
    什么是vi
    了解这个
    必须先明白什么是ci

    什么是ci呢
    cis的具体组成
    mi理念识别 bi行为识别 vi视觉识别
    什么是cis 
    cis是corporate identity system的缩写
    意思是企业形象识别系统
    cis的主要含义是
    将企业文化与经营理念
    统一设计
    利用整体表达体系(尤其是视觉表达系统)
    传达给企业内部与公众
    使其对企业产生一致的认同
    以形成良好的企业印象
    最终促进企业产品和服务的销售
    cis的意义
    对内
    企业可通过ci设计对其办公系统、生产系统、管理系统以及营销、包装、广告等宣传形象形成规范设计和统一管理
    由此调动企业每个职员的积极性和归属感、认同感,使各职能部门能各行其职、有效合作
    对外
    通过一体化的符号形式来形成企业的独特形象
    便于公众辨别、认同企业形象
    促进企业产品以及服务的推广
    cis的具体组成部分
    日本著名ci专家山田英理认为ci包含下面两个方面的概念
    第一
    ci是一种被明确地认知企业理念与企业文化的活动
    第二
    ci是以标志和标准字作为沟通企业理念与企业文化的工具
    换而言之
    ci系统是由mi(理念识别mind identity)bi(行为识别behavior. identity)vi(视觉识别visual identity)三方面组成
    在cis的三大构成中
    其核心是mi
    它是整个cis的最高决策层
    给整个系统奠定了理论基础和行为准则
    并通过bi与vi表达出来
    所有的行为活动与视觉设计都是围绕着mi这个中心展开的
    成功的bi与vi就是将企业的独特精神准确表达出来
    mi理念识别
    企业理念
    对内影响企业的决策、活动、制度、管理等等
    对外影响企业的公众形象、广告宣传等
    所谓mi
    是指确立企业自己的经营理念
    企业对目前和将来一定时期的经营目标、经营思想、经营方式和营销状态进行总体规划和界定
    mi的主要内容包括
    企业精神 企业价值观 企业文化 企业信条 经营理念 经营方针 市场定位 产业构成 组织体制 管理原则 社会责任和发展规划等
    bi行为识别
    置于中间层位的bi则直接反映企业理念的个性和特殊性
    是企业实践经营理念与创造企业文化的准则
    对企业运作方式所作的统一规划而形成的动态识别系统
    包括对内的组织管理和教育
    对外的公共关系 促销活动 资助社会性的文化活动等
    通过一系列的实践活动将企业理念的精神实质推展到企业内部的每一个角落
    汇集起员工的巨大精神力量
    bi包括以下内容
    对内
    组织制度 管理规范 行为规范 干部教育 职工教育 工作环境 生产设备 福利制度等等
    对外
    市场调查 公共关系 营销活动 流通对策 产品研发 公益性 文化性活动等等


    vi视觉识别
    vi以标志 标准字 标准色为核心展开的完整的 系统的视觉表达体系
    将上述的企业理念 企业文化 服务内容 企业规范等抽象概念转换为具体符号
    塑造出独特的企业形象
    在ci设计中
    视觉识别设计最具传播力和感染力
    最容易被公众接受
    具有重要意义
    vi系统
    a.基本要素系统如企业名称 企业标志 企业造型 标准字 标准色 象征图案 宣传口号等
    b.应用系统 产品造型 办公用品 企业环境 交通工具 服装服饰 广告媒体 招牌 包装系统 公务礼品 陈列展示以及印刷宣传册等
    一套vi设计的主要内容:
    i.基本要素系统
    a.标志
    b.标准字
    c.标准色
    d.标志和标准字的组合

    ii.应用系统
    a.办公用品          如信封 信纸 便笺 名片 徽章 工作证 请柬 文件夹 介绍信 帐票 备忘录 资料袋 公文表格等
    b.企业外部建筑环境  如建筑造型 公司旗帜 企业门面 企业招牌 公共标识牌 路标指示牌 广告塔 霓虹灯广告 庭院美化等
    c.企业内部建筑环境  如企业内部各部门标识牌 常用标识牌 楼层标识牌 企业形象牌 旗帜 广告牌 pop广告 货架标牌等
    d.交通工具          如轿车 面包车 大巴士 货车 工具车 油罐车 轮船 飞机等
    e.服装服饰          如经理制服 管理人员制服 员工制服 礼仪制服 文化衫 领带 工作帽 钮扣 肩章 胸卡等
    f.广告媒体          如电视广告、杂志广告、报纸广告、网络广告、路牌广告、招贴广告等。
    g.产品包装          如纸盒包装 纸袋包装 木箱包装 玻璃容器包装 塑料袋包装 金属包装 陶瓷包装 包装纸
    h.公务礼品          如T恤衫 领带 领带夹 打火机 钥匙牌 雨伞 纪念章 礼品袋等
    i.陈列展            如橱窗展示 展览展示 货架商品展示 陈列商品展示等
    j.印刷品            如企业简介 商品说明书 产品简介 年历等
    什么是vi
    了解这个
    必须先明白什么是ci

    什么是ci呢
    cis的具体组成
    mi理念识别 bi行为识别 vi视觉识别
    什么是cis 
    cis是corporate identity system的缩写
    意思是企业形象识别系统
    cis的主要含义是
    将企业文化与经营理念
    统一设计
    利用整体表达体系(尤其是视觉表达系统)
    传达给企业内部与公众
    使其对企业产生一致的认同
    以形成良好的企业印象
    最终促进企业产品和服务的销售
    cis的意义
    对内
    企业可通过ci设计对其办公系统、生产系统、管理系统以及营销、包装、广告等宣传形象形成规范设计和统一管理
    由此调动企业每个职员的积极性和归属感、认同感,使各职能部门能各行其职、有效合作
    对外
    通过一体化的符号形式来形成企业的独特形象
    便于公众辨别、认同企业形象
    促进企业产品以及服务的推广
    cis的具体组成部分
    日本著名ci专家山田英理认为ci包含下面两个方面的概念
    第一
    ci是一种被明确地认知企业理念与企业文化的活动
    第二
    ci是以标志和标准字作为沟通企业理念与企业文化的工具
    换而言之
    ci系统是由mi(理念识别mind identity)bi(行为识别behavior. identity)vi(视觉识别visual identity)三方面组成
    在cis的三大构成中
    其核心是mi
    它是整个cis的最高决策层
    给整个系统奠定了理论基础和行为准则
    并通过bi与vi表达出来
    所有的行为活动与视觉设计都是围绕着mi这个中心展开的
    成功的bi与vi就是将企业的独特精神准确表达出来
    mi理念识别
    企业理念
    对内影响企业的决策、活动、制度、管理等等
    对外影响企业的公众形象、广告宣传等
    所谓mi
    是指确立企业自己的经营理念
    企业对目前和将来一定时期的经营目标、经营思想、经营方式和营销状态进行总体规划和界定
    mi的主要内容包括
    企业精神 企业价值观 企业文化 企业信条 经营理念 经营方针 市场定位 产业构成 组织体制 管理原则 社会责任和发展规划等
    bi行为识别
    置于中间层位的bi则直接反映企业理念的个性和特殊性
    是企业实践经营理念与创造企业文化的准则
    对企业运作方式所作的统一规划而形成的动态识别系统
    包括对内的组织管理和教育
    对外的公共关系 促销活动 资助社会性的文化活动等
    通过一系列的实践活动将企业理念的精神实质推展到企业内部的每一个角落
    汇集起员工的巨大精神力量
    bi包括以下内容
    对内
    组织制度 管理规范 行为规范 干部教育 职工教育 工作环境 生产设备 福利制度等等
    对外
    市场调查 公共关系 营销活动 流通对策 产品研发 公益性 文化性活动等等


    vi视觉识别
    vi以标志 标准字 标准色为核心展开的完整的 系统的视觉表达体系
    将上述的企业理念 企业文化 服务内容 企业规范等抽象概念转换为具体符号
    塑造出独特的企业形象
    在ci设计中
    视觉识别设计最具传播力和感染力
    最容易被公众接受
    具有重要意义
    vi系统
    a.基本要素系统如企业名称 企业标志 企业造型 标准字 标准色 象征图案 宣传口号等
    b.应用系统 产品造型 办公用品 企业环境 交通工具 服装服饰 广告媒体 招牌 包装系统 公务礼品 陈列展示以及印刷宣传册等
    一套vi设计的主要内容:
    i.基本要素系统
    a.标志
    b.标准字
    c.标准色
    d.标志和标准字的组合

    ii.应用系统
    a.办公用品          如信封 信纸 便笺 名片 徽章 工作证 请柬 文件夹 介绍信 帐票 备忘录 资料袋 公文表格等
    b.企业外部建筑环境  如建筑造型 公司旗帜 企业门面 企业招牌 公共标识牌 路标指示牌 广告塔 霓虹灯广告 庭院美化等
    c.企业内部建筑环境  如企业内部各部门标识牌 常用标识牌 楼层标识牌 企业形象牌 旗帜 广告牌 pop广告 货架标牌等
    d.交通工具          如轿车 面包车 大巴士 货车 工具车 油罐车 轮船 飞机等
    e.服装服饰          如经理制服 管理人员制服 员工制服 礼仪制服 文化衫 领带 工作帽 钮扣 肩章 胸卡等
    f.广告媒体          如电视广告、杂志广告、报纸广告、网络广告、路牌广告、招贴广告等。
    g.产品包装          如纸盒包装 纸袋包装 木箱包装 玻璃容器包装 塑料袋包装 金属包装 陶瓷包装 包装纸
    h.公务礼品          如T恤衫 领带 领带夹 打火机 钥匙牌 雨伞 纪念章 礼品袋等
    i.陈列展            如橱窗展示 展览展示 货架商品展示 陈列商品展示等
    j.印刷品            如企业简介 商品说明书 产品简介 年历等
    什么是vi了解这个必须先明白什么是ci什么是ci呢 cis的具体组成 mi理念识别 bi行为识别 vi视觉识别 什么是cis cis是corporate identity system的缩写意思是企业形象识别系统cis的主要含义是将企业文化与经营理念统一设计利用整体表达体系(尤其是视觉表达系统)传达给企业内部与公众使其对企业产生一致的认同以形成良好的企业印象最终促进企业产品和服务的销售 cis的意义 对内企业可通过ci设计对其办公系统、生产系统、管理系统以及营销、包装、广告等宣传形象形成规范设计和统一管理由此调动企业每个职员的积极性和归属感、认同感,使各职能部门能各行其职、有效合作 对外通过一体化的符号形式来形成企业的独特形象便于公众辨别、认同企业形象促进企业产品以及服务的推广 cis的具体组成部分 日本著名ci专家山田英理认为ci包含下面两个方面的概念 第一ci是一种被明确地认知企业理念与企业文化的活动 第二ci是以标志和标准字作为沟通企业理念与企业文化的工具 换而言之ci系统是由mi(理念识别mind identity)bi(行为识别behavior. identity)vi(视觉识别visual identity)三方面组成在cis的三大构成中其核心是mi它是整个cis的最高决策层给整个系统奠定了理论基础和行为准则并通过bi与vi表达出来所有的行为活动与视觉设计都是围绕着mi这个中心展开的成功的bi与vi就是将企业的独特精神准确表达出来 mi理念识别 企业理念对内影响企业的决策、活动、制度、管理等等对外影响企业的公众形象、广告宣传等 所谓mi是指确立企业自己的经营理念企业对目前和将来一定时期的经营目标、经营思想、经营方式和营销状态进行总体规划和界定 mi的主要内容包括 企业精神 企业价值观 企业文化 企业信条 经营理念 经营方针 市场定位 产业构成 组织体制 管理原则 社会责任和发展规划等 bi行为识别 置于中间层位的bi则直接反映企业理念的个性和特殊性是企业实践经营理念与创造企业文化的准则对企业运作方式所作的统一规划而形成的动态识别系统包括对内的组织管理和教育对外的公共关系 促销活动 资助社会性的文化活动等通过一系列的实践活动将企业理念的精神实质推展到企业内部的每一个角落汇集起员工的巨大精神力量 bi包括以下内容 对内组织制度 管理规范 行为规范 干部教育 职工教育 工作环境 生产设备 福利制度等等 对外市场调查 公共关系 营销活动 流通对策 产品研发 公益性 文化性活动等等 vi视觉识别 vi以标志 标准字 标准色为核心展开的完整的 系统的视觉表达体系将上述的企业理念 企业文化 服务内容 企业规范等抽象概念转换为具体符号塑造出独特的企业形象在ci设计中视觉识别设计最具传播力和感染力最容易被公众接受具有重要意义 vi系统a.基本要素系统如企业名称 企业标志 企业造型 标准字 标准色 象征图案 宣传口号等 b.应用系统 产品造型 办公用品 企业环境 交通工具 服装服饰 广告媒体 招牌 包装系统 公务礼品 陈列展示以及印刷宣传册等 一套vi设计的主要内容: i.基本要素系统 a.标志 b.标准字 c.标准色 d.标志和标准字的组合 ii.应用系统 a.办公用品 如信封 信纸 便笺 名片 徽章 工作证 请柬 文件夹 介绍信 帐票 备忘录 资料袋 公文表格等 b.企业外部建筑环境 如建筑造型 公司旗帜 企业门面 企业招牌 公共标识牌 路标指示牌 广告塔 霓虹灯广告 庭院美化等 c.企业内部建筑环境 如企业内部各部门标识牌 常用标识牌 楼层标识牌 企业形象牌 旗帜 广告牌 pop广告 货架标牌等 d.交通工具 如轿车 面包车 大巴士 货车 工具车 油罐车 轮船 飞机等e.服装服饰 如经理制服 管理人员制服 员工制服 礼仪制服 文化衫 领带 工作帽 钮扣 肩章 胸卡等 f.广告媒体 如电视广告、杂志广告、报纸广告、网络广告、路牌广告、招贴广告等。 g.产品包装 如纸盒包装 纸袋包装 木箱包装 玻璃容器包装 塑料袋包装 金属包装 陶瓷包装 包装纸 h.公务礼品 如T恤衫 领带 领带夹 打火机 钥匙牌 雨伞 纪念章 礼品袋等 i.陈列展 如橱窗展示 展览展示 货架商品展示 陈列商品展示等 j.印刷品 如企业简介 商品说明书 产品简介 年历等

  • 第2题:

    房地产标志设计属于vi还是ci设计?


    CI系统是由理念识别(MI),行为识别(BI),视觉识别(VI)三部分组成的~房地产标志设计由于主要是从视觉感官上起到一种对人的感染力,因而它在细方面分应属于VI设计,但就像小王是北京人更是中国人一样,不能说属于CI设计就错。它应是CI设计中的VI设计
    房地产标志设计属于VI中的基础部分,VI有基础和应用两部分。
    CI是果子,MI是果核。BI是果肉,VI是果皮。 房地产标志设计属于VI中的基础部分,VI有基础和应用两部分。
    CI是果子,MI是果核。BI是果肉,VI是果皮。 房地产标志设计属于VI中的基础部分,VI有基础和应用两部分。
    CI是果子,MI是果核。BI是果肉,VI是果皮。 房地产标志设计属于VI中的基础部分,VI有基础和应用两部分。

  • 第3题:

    寻求美食广场的一套完整CI或VI的图片案例或资料【餐饮行业】


    顶起

    没有美食广场的一套完整CI或VI的图片案例
    您好!没有美食广场的一套完整CI或VI的图片案例或资料
    哦,

  • 第4题:

    在ci的组成部分中,()是ci的战略执行层面,犹如企业的“手”。

    A.DID

    B.BIC

    C.MIB

    D.VI


    参考答案:B

  • 第5题:

    vi在ci中处于核心地位,是ci的基本精神所在,也是ci运作的原动力.。()

    此题为判断题(对,错)。


    参考答案:×

  • 第6题:

    《处方管理办法》规定,开具处方时,书写“药品用法”可以使用规范的

    A:中文、英文
    B:中文、拉丁文
    C:中文、英文或缩写体
    D:中文、英文、拉丁文
    E:中文、英文、拉丁文或缩写体

    答案:E
    解析:
    药品用法可用规范的中文、英文、拉丁文或者缩写体书写。

  • 第7题:

    企业识别的英文缩写为()

    • A、MI
    • B、BI
    • C、VI
    • D、CI

    正确答案:D

  • 第8题:

    在CI的构成要素中,MI、BI、VI分别在CI战略中占有不同的地位,发挥不同作用,VI是()。

    • A、企业之心
    • B、企业之手
    • C、企业之脸
    • D、企业之首

    正确答案:C

  • 第9题:

    在企业CI系统中,VI处于CI的核心与灵魂地位。


    正确答案:错误

  • 第10题:

    VI是指的CI设计中的“视觉识别”的意思。


    正确答案:正确

  • 第11题:

    单选题
    “我船有倾覆危险”的英文翻译是().
    A

    I AM MAKING WATER.

    B

    I AM IN CRITICAL CONDITION.

    C

    I AM IN DANGER OF CAPSIZING.

    D

    I HAVEDANGEROUS LIST.


    正确答案: C
    解析: 暂无解析

  • 第12题:

    单选题
    《大学》在明代曾经被翻译成什么文字?()
    A

    英文

    B

    法文

    C

    拉丁文

    D

    希腊文


    正确答案: C
    解析: 暂无解析

  • 第13题:

    企业VI和CI设计者需要会那几个软件

    企业VI和CI设计人员有什么要求没有,他们的要求具体是什么,


    企业VI设计 使用软件ILLSTATOR矢量软件 分辨率高 对人员的需求没什么 只要你会使用就行 要求就是为企业设置一个标志 切具有象征性意义 积极向上 并且给企业制定一套属于自己公司品牌形象的 例如 自己设计《 服装 广告 茶杯 。。。。》然后制作成一本VI手册 大概页面随意 越多越好 40页属于标准页 费用大概在70元左右.
    企业VI设计 使用软件ILLSTATOR矢量软件 分辨率高 对人员的需求没什么 只要你会使用就行 要求就是为企业设置一个标志 切具有象征性意义 积极向上 并且给企业制定一套属于自己公司品牌形象的 例如 自己设计《 服装 广告 茶杯 。。。。》然后制作成一本VI手册 大概页面随意 越多越好 40页属于标准页 费用大概在70元左右
    企业VI设计 使用软件ILLSTATOR矢量软件 分辨率高 对人员的需求没什么 只要你会使用就行 要求就是为企业设置一个标志 切具有象征性意义 积极向上 并且给企业制定一套属于自己公司品牌形象的 例如 自己设计《 服装 广告 茶杯 。。。。》然后制作成一本VI手册 大概页面随意 越多越好 40页属于标准页 费用大概在70元左右
    企业VI设计 使用软件ILLSTATOR矢量软件 分辨率高 对人员的需求没什么 只要你会使用就行 要求就是为企业设置一个标志 切具有象征性意义 积极向上 并且给企业制定一套属于自己公司品牌形象的 例如 自己设计《 服装 广告 茶杯 。。。。》然后制作成一本VI手册 大概页面随意 越多越好 40页属于标准页 费用大概在70元左右

  • 第14题:

    怎样给客户介绍VI CI

    我是一名广告公司的业务员!怎么给客户更详尽的介绍VI 和CI啊 请大伙帮忙啊~


    VI是CI的一部分,就像你想买水果中的苹果,苹果包含的营养有维生素...,水果包含的维生素有....,而你现在正缺少的正是苹果中的维生素...
    VI是CI的一部分,就像你想买水果中的苹果,苹果包含的营养有维生素...,水果包含的维生素有....,而你现在正缺少的正是苹果中的维生素...
    VI是CI的一部分,就像你想买水果中的苹果,苹果包含的营养有维生素...,水果包含的维生素有....,而你现在正缺少的正是苹果中的维生素...
    VI是CI的一部分,就像你想买水果中的苹果,苹果包含的营养有维生素...,水果包含的维生素有....,而你现在正缺少的正是苹果中的维生素...

  • 第15题:

    有什么LOGO和VI/CI设计类的好书籍和杂志吗?

    哪位大师能推荐几本优秀的关于LOGO和VI/CI设计方面的书籍吗,原版的也可,最好是精品。顺便问一下,有没有什么关于LOGO设计和VI/CI方面的期刊杂志呢,原版的最好咯,谢谢大家了~!


    巧夺天工CoreIDRAW入门与进阶实例
    http://book.jqcq.com/product/340775.html
    LOGO的设计,立体卡通的设计,网页设计。讲解中融入了作者在实践中积累的各种创作思路,软件操作技巧以及平面设计知识,使你在设计的过程中游刃有余。 .

    风云 Photoshop CS2 地产广告设计实例精解(含光盘1张)
    http://book.jqcq.com/product/542990.html
    本书从设计行业的角度阐述了房地产广告设计的基本理念、创意构思和艺术构成,系统地介绍了Photoshop CS 2的主要功能与实战技巧,通过深入剖析众多商业地产广告的成功案例,重点讲解了报纸广告、杂志广告、海报、说明书、户外看板、POP、地产广告Logo设计,以及地产VI设计、户型单页的制作、DM直邮广告的制作、促销广告的制 ...

    Flash5 网页动画设计速成与实例 Flash5 网页动画设计速成与实例
    http://book.jqcq.com/product/304906.html
    LOGO、动画、导航条,还可以带有动感音乐等,完全具备多媒体的各项功能。本书全面介绍了Flash 5的使用方法。全书共分13章,分别介绍了Flash 5界面与视图、绘图工具的使用方法、对象的编辑、文本的编辑、图形的导入、层的使用、图符的创建和应用、动画的制作以及电影的发布和输出等内容。本书内容丰富,详略得当,除作培 ...

    Photoshop CS 中文版网页与多媒体设计商用实例(含光盘)
    http://book.jqcq.com/product/540476.html
    在网页与多媒体作品的制作中,离不开图片、按钮、动画等素材的制作与处理。本书主要讲解Photoshop CS在网页与多媒体领域制作中的具体应用技术。并且通过制作商用案例介绍了各种网页与多媒体素材的处理技术,内容包括网页与多媒体设计常识,如按钮与导航、界面设计、动画制作、Logo和Banner制作、特效文字、图像特效、

    有个期刊杂志叫《新平面》,当然不是完全讲LOGO,但每期都会有文章讲 还不错~!
    巧夺天工CoreIDRAW入门与进阶实例 http://book.jqcq.com/product/340775.html LOGO的设计,立体卡通的设计,网页设计。讲解中融入了作者在实践中积累的各种创作思路,软件操作技巧以及平面设计知识,使你在设计的过程中游刃有余。 . 风云 Photoshop CS2 地产广告设计实例精解(含光盘1张) http://book.jqcq.com/product/542990.html 本书从设计行业的角度阐述了房地产广告设计的基本理念、创意构思和艺术构成,系统地介绍了Photoshop CS 2的主要功能与实战技巧,通过深入剖析众多商业地产广告的成功案例,重点讲解了报纸广告、杂志广告、海报、说明书、户外看板、POP、地产广告Logo设计,以及地产VI设计、户型单页的制作、DM直邮广告的制作、促销广告的制 ... Flash5 网页动画设计速成与实例 Flash5 网页动画设计速成与实例 http://book.jqcq.com/product/304906.html LOGO、动画、导航条,还可以带有动感音乐等,完全具备多媒体的各项功能。本书全面介绍了Flash 5的使用方法。全书共分13章,分别介绍了Flash 5界面与视图、绘图工具的使用方法、对象的编辑、文本的编辑、图形的导入、层的使用、图符的创建和应用、动画的制作以及电影的发布和输出等内容。本书内容丰富,详略得当,除作培 ... Photoshop CS 中文版网页与多媒体设计商用实例(含光盘) http://book.jqcq.com/product/540476.html 在网页与多媒体作品的制作中,离不开图片、按钮、动画等素材的制作与处理。本书主要讲解Photoshop CS在网页与多媒体领域制作中的具体应用技术。并且通过制作商用案例介绍了各种网页与多媒体素材的处理技术,内容包括网页与多媒体设计常识,如按钮与导航、界面设计、动画制作、Logo和Banner制作、特效文字、图像特效、有个期刊杂志叫《新平面》,当然不是完全讲LOGO,但每期都会有文章讲 还不错~!
    巧夺天工CoreIDRAW入门与进阶实例 http://book.jqcq.com/product/340775.html LOGO的设计,立体卡通的设计,网页设计。讲解中融入了作者在实践中积累的各种创作思路,软件操作技巧以及平面设计知识,使你在设计的过程中游刃有余。 . 风云 Photoshop CS2 地产广告设计实例精解(含光盘1张) http://book.jqcq.com/product/542990.html 本书从设计行业的角度阐述了房地产广告设计的基本理念、创意构思和艺术构成,系统地介绍了Photoshop CS 2的主要功能与实战技巧,通过深入剖析众多商业地产广告的成功案例,重点讲解了报纸广告、杂志广告、海报、说明书、户外看板、POP、地产广告Logo设计,以及地产VI设计、户型单页的制作、DM直邮广告的制作、促销广告的制 ... Flash5 网页动画设计速成与实例 Flash5 网页动画设计速成与实例 http://book.jqcq.com/product/304906.html LOGO、动画、导航条,还可以带有动感音乐等,完全具备多媒体的各项功能。本书全面介绍了Flash 5的使用方法。全书共分13章,分别介绍了Flash 5界面与视图、绘图工具的使用方法、对象的编辑、文本的编辑、图形的导入、层的使用、图符的创建和应用、动画的制作以及电影的发布和输出等内容。本书内容丰富,详略得当,除作培 ... Photoshop CS 中文版网页与多媒体设计商用实例(含光盘) http://book.jqcq.com/product/540476.html 在网页与多媒体作品的制作中,离不开图片、按钮、动画等素材的制作与处理。本书主要讲解Photoshop CS在网页与多媒体领域制作中的具体应用技术。并且通过制作商用案例介绍了各种网页与多媒体素材的处理技术,内容包括网页与多媒体设计常识,如按钮与导航、界面设计、动画制作、Logo和Banner制作、特效文字、图像特效、有个期刊杂志叫《新平面》,当然不是完全讲LOGO,但每期都会有文章讲 还不错~!
    巧夺天工CoreIDRAW入门与进阶实例 http://book.jqcq.com/product/340775.html LOGO的设计,立体卡通的设计,网页设计。讲解中融入了作者在实践中积累的各种创作思路,软件操作技巧以及平面设计知识,使你在设计的过程中游刃有余。 . 风云 Photoshop CS2 地产广告设计实例精解(含光盘1张) http://book.jqcq.com/product/542990.html 本书从设计行业的角度阐述了房地产广告设计的基本理念、创意构思和艺术构成,系统地介绍了Photoshop CS 2的主要功能与实战技巧,通过深入剖析众多商业地产广告的成功案例,重点讲解了报纸广告、杂志广告、海报、说明书、户外看板、POP、地产广告Logo设计,以及地产VI设计、户型单页的制作、DM直邮广告的制作、促销广告的制 ... Flash5 网页动画设计速成与实例 Flash5 网页动画设计速成与实例 http://book.jqcq.com/product/304906.html LOGO、动画、导航条,还可以带有动感音乐等,完全具备多媒体的各项功能。本书全面介绍了Flash 5的使用方法。全书共分13章,分别介绍了Flash 5界面与视图、绘图工具的使用方法、对象的编辑、文本的编辑、图形的导入、层的使用、图符的创建和应用、动画的制作以及电影的发布和输出等内容。本书内容丰富,详略得当,除作培 ... Photoshop CS 中文版网页与多媒体设计商用实例(含光盘) http://book.jqcq.com/product/540476.html 在网页与多媒体作品的制作中,离不开图片、按钮、动画等素材的制作与处理。本书主要讲解Photoshop CS在网页与多媒体领域制作中的具体应用技术。并且通过制作商用案例介绍了各种网页与多媒体素材的处理技术,内容包括网页与多媒体设计常识,如按钮与导航、界面设计、动画制作、Logo和Banner制作、特效文字、图像特效、有个期刊杂志叫《新平面》,当然不是完全讲LOGO,但每期都会有文章讲 还不错~!

  • 第16题:

    在ci的组成部分中,()是ci的最高决策、战略层面,犹如企业的“心”。

    A.MIB

    B.DID

    C.BIC

    D.VI


    参考答案:A

  • 第17题:

    对于2I→I2基元反应而言其速度方程式应写成()。

    A.VI2=k1CI2

    B.VI2=K2CI2

    C.VI2=K1CI2

    D.VI2=K2CI2


    参考答案:C

  • 第18题:

    在企业CI系统中,VI处于CI的核心与灵魂地位。

    A

    B



  • 第19题:

    CI系统的内容不包括()

    • A、MI
    • B、DI
    • C、BI
    • D、VI

    正确答案:B

  • 第20题:

    关于翻译模块说法错误的是()

    • A、数字“1”翻译成英文是“One”
    • B、数字“1”翻译成中文是“一”
    • C、中英混合语句,可以完整翻译成英文
    • D、中英混合语句,不可以完整翻译成中

    正确答案:B

  • 第21题:

    12世纪,欧洲的大翻译运动主要是把希腊文翻译为英文。


    正确答案:错误

  • 第22题:

    判断题
    12世纪,欧洲的大翻译运动主要是把希腊文翻译为英文。
    A

    B


    正确答案:
    解析: 暂无解析

  • 第23题:

    判断题
    在企业CI系统中,VI处于CI的核心与灵魂地位。
    A

    B


    正确答案:
    解析: 暂无解析